(1987) Tischhauser: The Beggar's Concerto Soleil à midi TEMPO GIUSTO thus considers itself
Description
TEMPO GIUSTO thus considers itself as the antipode to those chamber ensembles de dedicated to so-called “original instruments” and “original sonorities”
but to portray the «spirit»
they are back with Claves with
Chautauqua
(1987) Tischhauser: The Beggar's Concerto Soleil à midi TEMPO GIUSTO thus considers itselfNo description available
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